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The Unseen Movie

Genres are Produced in 1980, USA
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Storyline

TAGLINES

The unknown brings terror. The UNSEEN ... DEATH
If you've never been frightened by a movie before, you've never encountered the terror of THE UNSEEN!
Three Beautiful Women. An Old Museum. And An Unspeakable Terror Hidden In Darkness ... Until Now!
In the Darkness It Lives.
The Ultimate Hidden Terror!

PLOT SUMMARY

Two sisters; Karen and Jennifer, Tony Ross; Jen's disgruntled beau and female reporter Vicki Thompson stumble across siblings Virginia & Ernest Keller allowing with their brother/offspring Junior dwelling beneath the bowels of an ancient former hotel.

ACTORS
Stephen Furst 'Junior' Keller
Barbara Bach Jennifer Fast
Sydney Lassick Ernest Keller
Lelia Goldoni Virginia Keller
Karen Lamm Karen Fast
Douglas Barr Tony Ross
Lois Young Vicki Thompson
Maida Severn Solvang Lady
DIRECTOR
Danny Steinmann
IMDB Rating

4.30 out of 10 (239 votes)

Download The Unseen movie (1980)
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Visitor Reviews

Awful Movie

posted on 31 Aug 2009

I purchased this movie at a car boot sale, so I was not expecting it to be a horror movie on the same level as A Nightmare on Elm Street (1984) or The Hills Have Eyes (1977) but I thought that it would still be fairly enjoyable to watch. However, it proved to be not at all enjoyable, but instead the acting and the general movie was mock-able, such as the ways the the 'unsees killer' murders his victims and how all of the people killed just happen to be young blonde women. It was a stereotypical horror film. I say this because of the following reasons:1) Three blonde women in danger, the majority get killed. 2) One survives by crawling around in the dark while being chased by the killer. 3) Surprise surprise, help arrives in the form of a shotgun!By using three simple points, I have saved you two odd hours by summarising this poor excuse of a horror movie, so you are now lucky enough to not have to watch it.

Don't look in the basement.

posted on 31 Aug 2009

A trio of babelicious newswomen (played by Barbara Bach, Karen Lamm and Lois Young) arrive in the town of Solvang, CA, where the locals are holding a festival to celebrate their Danish ancestry. Unable to find a hotel with a vacancy, the tasty threesome accept the offer of a room for the night from Ernest Keller, a kooky museum curator (Sydney Lassick) who not only shares his large, creepy house with his timid sister Virginia (Lelia Goldoni), but also a fugly homicidal hulk named Junior (Stephen Furst), the result of the strange siblings' incestuous relationship.Originally scripted by Kim 'Texas Chain Saw Massacre' Henkel, and subsequently re-written by then-unknown make-up artists Stan Winston and Tom Burman, this entertaining shocker features surprisingly little in the way of gore or graphic nastiness. It does, however, still manage to be quite disturbing thanks to its delightfully twisted premise, a convincing performance from Furst as the mentally disabled, man-child lurking in the basement (a great achievement, since he is acting under heavy make-up by Craig Reardon), and a chilling turn from character actor Lassick, who proves to be the real monster of the film—a mean spirited bully who rules his household through fear, intimidation and violence.Goldoni, Lamm and Young also give solid support (with the latter providing the obligatory T&A during a bath scene), but unfortunately star Bach is rather forgettable in a role that requires her to do little other than look good, bicker with her superfluous on-screen ex-boyfriend (played by Douglas Barr, The Fall Guy's Howie Munson), and scream hysterically at Junior, who—as movie monsters go—really isn't all that scary.6.5 out of 10, rounded up to 7 for IMDb.

the Importance of being Ernest

posted on 31 Aug 2009

Three ladies choose to take Ernest (the late lamented Sydney Lassick), a seemingly altruistic man (who's anything but) up on his offer to stay at his house where he resides with his sister, after they can't find any hotels with enough room for them. Soon after an 'unseen' tenant in the basement is killing off the buxom beauties.This is a bad movie, I make no bones about that, but it manages (in spite of itself) to became slightly above par (for an '80's slasher film) thanks in no small part by the one-two acting punch of Sydney Lassick who plays his part of the devious off-kilter Ernest & Stephen Furst, who's over-the-pale tour-de-force performance of the titular 'unseen' has to be seen to be truly appreciated. All the other scenes without these two and sub-plots in the film are merely tedious filler.Eye Candy: Lois Young goes full frontal as well as showing her ass My Grade: C+ Code Red 2-disc DVD extras: Disc 1) Introduction by Doug Barr and actor Stephen Furst; commentary with producer Tony Unger and Furst; separate interviews with Furst & Barr; still gallery; theatrical trailer; and trailers for The Farmer, Butcher Baker Nightmare Maker, Sole Survivor, Beyond the Door, The Visitor, Dead Pit & Terror CircusDisc 2) Seprate interviews with make-up effects artists Craig Reardon &Tom Burman; Make-up tests, slides, and stills gallery

"I see you've met Junior."

posted on 31 Aug 2009

~Spoiler~I wish The Unseen would have stayed that way. I now completely understand why Danny Steinmann took his name off the picture. It just doesn't play like a Steinmann movie. It's boring. And Steinmann's other films are anything but boring. The film stars the beautiful Barbara Bach as a reporter who is forced to stay with a weird old couple while putting together a story. Little does Bach and her crew know that something lurks in the basement. Not a lot happens during the first hour of the film and we spend too much time with the creepy Sydney Lassick rather than the luscious Bach. The attacks by the Unseen are not as terrifying as they should be mainly because, well, you don't see anything. When the Unseen actually does get some screen time, you will certainly be shocked, be it a good thing or a bad thing. Special commendation goes out to Stephen Furst who actually plays the Unseen. Never before has a performance simultaneously freaked me out and caused hysterical laughter. Seeing Flounder from Animal House in an over-sized diaper looking like one of the mutants from Nothing But Trouble is as good as it sounds. But it doesn't make the film watchable. Stick to Savage Streets or Friday the 13th part V for the real Danny Steinmann experience.

Boring and pointless

posted on 31 Aug 2009

Dreck about three beautiful women in California who go to cover some festival (or something). All the hotels are booked so they have to spend the night in a creepy old house. What they don't know is that there is a creepy inhabitant there who likes to kill...Yawn. Boring, pointless, utterly stupid "horror" film. Bach and her two buddies are certainly beautiful but the movie itself is dull dull DULL! Bach and her friends are no actresses--their faces are blank all the way through. The final "revelation" is laughably predictable and there's no blood or gore to keep you interested along the way. There is some expected gratuitous female nudity but that's not enough to save this. Boring, pointless and unknown (for good reason). A 1 all the way.

A marvelously creepy and ultimately touching horror flick.

posted on 31 Aug 2009

Gorgeous Barbara Bach plays Jennifer Fast, a television reporter who travels with her crew (Karen Lamm and Lois Young) to Solvang, California, to cover a Danish festival. The problem is that their accommodations have fallen through and all hotels in town are full. So they travel out of town to a remote location and take advantage of the hospitality of the seemingly friendly Ernest Keller (a phenomenal Sydney Lassick). Wouldn't you know it, Ernest and meek partner Virginia (Lelia Goldoni) are hiding a big secret in their cellar: pitiable, deformed, diaper-clad "Junior" (Stephen Furst, in a remarkable performance) who ultimately terrorizes the girls.A deliciously unhinged Lassick plays the true monster in this disturbing little horror movie. It builds slowly but surely to an intense confrontation / climax, delivering the horror in small doses until the final half hour. The hotel and the foreboding cellar - large echoes of "Psycho" here - are great settings. Most of all, the perverse plot involves incest and patricide, allowing the movie to take on a truly dark quality. And yet it also becomes poignant as we realize Junior is no one-dimensionally evil bogeyman but as much a victim as the girls. The final shot is especially sad."The Unseen" is a solid little horror flick worthy of discovery.8/10

Decent Afternoon Fair

posted on 31 Aug 2009

Freelance reporter Jennifer (Barbara Bach)and her friends Vicki (Lois Young) and Karen (Karen Lamm) come visit a farmhouse owned by a shady museum owner. Little do they know is that there is something living underneath the house-and it's not very nice.Director Danny ("Savage Streets", "Friday the 13th V") Steinmann and co-writer Kim ("The Texas Chainsaw Massacre") Henkel give you "The Unseen", a little known but watchable early 80's horror tale that has garnered something of a cult following. On one hand, it's easy to see why-Henkel and Steinmann's involvement is hard to ignore, though it's reliance on eerie, Gothic scares instead of gore (quite different from the slasher movies of the time), a plot that's part "Texas Chainsaw" and part "Psycho", some impressive atmosphere, and creepy score are all factors that work-well, for the most part.The acting unfortunately, isn't that stellar, particularly Bach, who in spite of being in some great movies, is far from interesting here. The biggest problem though, is the third act, which just feels like the writer and director ran out of ideas in the last minute. While Stephen ("Animal House") Furst is good as the disfigured monster, his character isn't that scary, and feels a bit underdeveloped, as do other characters."The Unseen" is a decent but hardly perfect forgotten 80's horror flick that would make a nice watch on a rainy weekend afternoon, and would also make a nice double bill with Jeff Lieberman's underrated "Just Before Dawn." If you want to see it, then get it on DVD, though I doubt that it really deserves the 2-Disc treatment Code Red has given it.

The Unseen, now on DVD (minor spoilers)

posted on 31 Aug 2009

Three female reporters are going to Solvang to report on a festival there, when they find that due to an error, they have no hotel room. So they find what they THINK is an old hotel but it turns out to be a museum, run by charming (but loony) Sydney Lassick. After trying to find these young ladies a place, he finally gives up with no success, but offers them a room at his home. His wife seems rather unhappy that they have guests, and there's something seemingly wrong about the whole thing, of course. One of the three girls isn't feeling well so stays behind while the others go off to report, and meets with tragedy after something attempts to drag her down the large heating duct.While in Solvang, one reporter's (Barbara Bach) boyfriend shows up, and she stays with him while the other returns to the house, to again meet with problems with heating ducts. Of course, eventually Bach returns to the house & by then, Lassick & his wife (who is actually, apparently, a blood relation) have decided that due to the demise of the other two, this one can't be let go to tell. And what exactly is it that's in the basement that's moving through the heating ducts? Let's just say it's just ONE good reason why brothers & sisters shouldn't mate.Overall this is kind of a slow film, but it's not terrible, and has some decent atmosphere. Who better to play a charming nut-case than Sydney Lassick, too. If you like early 70's & early 80's horror then you should like this just fine. If you're looking for something intense & bloody, look elsewhere. 6 out of 10.

"You worry too much Virginia!"

posted on 31 Aug 2009

This is a long lost horror gem starring Sydney Lassick ("Carrie" and others) and Barbara Bach. It is sometimes difficult to locate a copy of this film but it's worth it. This film is creepy yet cheesy at the same time. It seems that 3 young newswomen (Karen, Vicky, and Jennifer) travel to the small city of Solvang, California to cover a festival when a mix-up occurs involving their hotel room and they seek refuge at the home of Earnest Keller (Lassick) and his strange wife Virginia. Vickie stays behind, feeling ill, as the other 2 are off to film their story. She is soon murdered at the house, in a VERY cheesy way by some unknown force hiding in the ventilation system (she is decapitated by the closing cover of the vent as it comes crashing down on her while she is being tugged through and into the basement). Soon Karen returns and she is murdered in an even more brutal fashion by having her face rammed through the vent cover. Jennifer is fighting with her (ex?)lover in a rather boring sub plot and when she returns home, her hosts (whom by now we have discovered are brother and sister and that whatever it is that is in the basement is their son) devise a plot to try to murder her as well. Virgina does not totally agree with Earnest's plan to murder Jennifer but she is tricked into going into the basement where she meets Junior. Here the film turns almost comic as Junior (portrayed hysterically by Stephen Furst) is a deformed, mentally deficient, manchild whose actions and motions will cause a few chuckles even though it's supposed to be scary. This is where the pace of the film picks up and the ending is well done. The actors/actresses do a terrific job with the material especially Lassick, Furst, and Bach and although it's not the most horrifying film ever made it is highly entertaining!

Ringo's wife meets Flounder

posted on 31 Aug 2009

Since "The Unseen" is your basic B movie, the only reason to see it is that it stars Barbara Bach (Ringo Starr's wife), Stephen Furst (Flounder in "Animal House") and Sydney Lassick (Cheswith in "One Flew Over the Cuckoo's Nest" and also the principal in "Carrie"). No, seriously. That's the only reason to check it out: The Beatles, John Belushi and Stephen King are linked by a story of three women staying in a house inhabited by a carnivorous inbred! If only the founders of Solvang had predicted this! Sorry if I haven't done the greatest job describing the movie. It's just that a cast like this easily eclipses the movie, in my view. Granted, there are a few of the requirements for horror flicks, namely the bathtub scene. Otherwise, nothing significant here.PS: Barbara Bach had previously starred in a similar movie with a similarly jaw-dropping cast. That movie was the Italian horror flick "L'isola delli uomini pesce" (called "Screamers" in the US), in which she co-starred with Mel Ferrer, aka Audrey Hepburn's ex. Yes, it's true. Ringo Starr's soon-to-be wife and Audrey Hepburn's ex co-starred in a movie about half-human, half-fish creatures.

A creepy, perverse and underrated early 80's horror sleeper

posted on 31 Aug 2009

Los Angeles TV news reporter Jennifer (the beautiful Barbara Bach of "The Spy Who Loved Me" fame) and her two assistants Karen (the appealingly spunky Karen Lamm) and Vicki (the pretty Lois Young, who not only gets killed first, but also bares her yummy bod in a tasty gratuitous nude bath scene) go to Solvang, California to cover an annual Danish festival. Since all the local hotels are booked solid, the three lovely ladies are forced to seek room and board at a swanky, but foreboding remote mansion owned by freaky Ernest Keller (deliciously played to geeky perfection by the late, great Sydney Lassick) and his meek sister Virginia (a solid Lelia Goldoni). Unfortunately, Keller has one very nasty and lethal dark family secret residing in his dank basement: a portly, pathetic, diapered, incest-spawned man-child Mongoloid named Junior (an alternately touching and terrifying portrayal by Stephen Furst; Flounder in "Animal House"), who naturally gets loose and wreaks some murderous havoc. Capably directed by Danny Steinmann, with uniformly fine acting from a sturdy cast, a compellingly perverse plot, excellent make-up by Craig Reardon, a nicely creepy atmosphere, a wonderfully wild climax, a slow, but steady pace, likable well-drawn characters, and a surprisingly heart-breaking final freeze frame (the incest subplot packs an unexpectedly strong and poignant punch), this unjustly overlooked early 80's psycho sleeper is well worth checking out.

GET this film if you can find it

posted on 31 Aug 2009

Get this film if at all possible. You will find a really good performance by Barbara Bach, beautiful cinematography of a stately (and incredibly clean) but creepy old house, and an unexpected virtuoso performance by … "The Unseen". I picked up a used copy of this film because I was interested in seeing more of Bach, whom I'd just viewed in "The Spy Who Loved Me." I love really classically beautiful actresses and appreciate them even more if they can act a little. So: we start with a nice fresh premise. TV reporter Bach walks out on boyfriend and goes to cover a festival in a California town, Solvang, that celebrates its Swedish ancestry by putting on a big folk festival. She brings along a camerawoman, who happens to be her sister, and another associate. (The late Karen Lamm plays Bach's sister, and if you know who the celebrities are that each of these ladies is married to, it is just too funny watching Bach (Mrs. Ringo Starr) and Lamm (Mrs. Dennis Wilson) going down the street having a sisterly quarrel.)) Anyway … Bach's disgruntled beau follows her to Solvang, as he's not done arguing with her. There's a lot of feeling still between them but she doesn't wanna watch him tear himself up anymore about his down-the-drain football career. The ladies arrive in Solvang to do the assignment for their station, only to find their reservations were given away to someone else. (Maybe to Bach's boyfriend, because think of it – where's he gonna stay?). The gals ask around but there is just nowhere to go. Mistakenly trying to get into an old hotel which now serves only as a museum, they catch the interest of proprietor Mr. Keller (the late Sidney Lassick), who decides to be a gentleman and lodge them at his home, insisting his wife will be happy to receive them. Oh no! Next thing we know Keller is making a whispered phone call to his wife, warning her that company's coming and threatening that she'd better play along. Trouble in paradise! The ladies are eager to settle in and get back to Solvang to shoot footage and interview Swedes, but one of the girls doesn't feel good. Bach and Lamm leave her behind, wondering to themselves about Mrs. Keller (played heartbreakingly by pretty Lelia Goldoni) who looks like she just lost her best pal. Speaking of which … under-the-weather Vicki slips off her clothes and gets into a nice hot tub, not realizing that Keller has crept into her room to inspect the keyhole. She hears him, thinks he's come to deliver linen, and calls out her thanks. Lassick did a great job in this scene expressing the anguish of a fat old peeping tom who didn't get a long enough look. After he's left, poor Vicki tumbles into bed for a nap but gets yanked out of it real fast (in a really decent, frightening round of action) by something BIG that has apparently crept up through a grille on the floor … The Unseen! Lamm comes home next (Bach is out finishing an argument with her beau) and can't find anyone in the house. She knocks over a plate of fruit in the kitchen, and, on hands and knees to collect it, her hair and fashionable scarf sway temptingly over the black floor grille … attracting The Unseen again! Well, at about the time poor Lamm is getting her quietus in the kitchen, we do a flashback into Mr. Keller's past and get the full story of what his sick, sadistic background really is and why his wife doesn't smile much. Bach finally gets home and wants to know where her friends are. Meanwhile, Lassick has been apprised of the afternoon's carnage by his weeping wife and decides he can't let Bach off the premises to reveal the secret of his home. He tempts her down into the basement where the last act of the Keller family tragedy finally opens to all of us.I cannot say enough for Stephen Furst, whom I'd never seen before; it's obvious that he did his homework for this role, studying the methods of communication and expression of the brain damaged; Bach and Goldoni, each in their diverse way, just give the movie luster. Not only that, but movie winds up with a satisfying resolution. No stupid cheap tricks, eyeball-rolling dialog or pathetically cut corners... A real treat for your collection.

I blame the parents...

posted on 31 Aug 2009

The first scenes of this film feel more like an episode of Dallas, or a Columbo style prelude, than they do a horror film. The comparisons get worse... Murder She wrote, The A-Team... hell no, it's Charlie's Angels. And then the penny drops, three young women, with a mystery a-foot, it's really like Scooby Doo, without a male lead or any sort of canine activity. In fact, from the moment you meet the resident bad guy (Sydney Lassik), you can just imagine him saying "If it wasn't for you pesky kids!!", as someone pulls his mask off! That said, this is not a totally bad film at all. The weakest character, unfortunately, is the one we see most of, Barbara Bach. Rarely does she provide any sort of emotional performance, and there is no need for her to be sexy in this film either. Well, I suppose she has quite big eyes, which work out well for the ending! All other roles are played well, and are for the most part believable. Equally believable is the scary situation, three girls in a remote hotel, and the mysterious menace that we know is there from early on.Suspense builds up steadily towards the finale, but once all the ground is covered, and the secrets revealed, the film turns into more action than horror, more slasher-style than creepy. It loses both pace and purpose and leaves us with no more bitter taste than a family squabble. That is, someone else's family! But this was supposed to be horror! Several minutes of senseless screaming, towards the end also don't help. What I like to call "Goonies syndrome", noise that in fact irritates more than affects the atmosphere, or benefits the film.OK, so it may make Saturday afternoon, regular TV-style horror these days... that is if you cut out the tasteful glimpse of nakedness. But outside of that, no there's not too much there. It's horrible, not horror. It's unpleasant not unbearable. It is entertaining, and quite well put together, so there's a "5" rating from me!

Mentally ill fun

posted on 31 Aug 2009

This is not a film for the typical horror fan; this movie appeals to those who enjoy a little mental disturbance with their terror. Or even a laugh or two. I can't believe they didn't know that it was funny to watch Stephn Furst acting like a mentally challenged mutant monster, ala "The Goonies," it HAD to be intentional, and as such I applaud the filmmakers!The story is about something horrible in the basement and Barbara Bach finds out what it is, after the usual set-up story points. There's little more to it than that. The reason to seek this film out is if you are a lover of mutants and like a little madness in your scary movies.Otherwise, stick to something more safe and traditional.

Two comedic actors trying out horror

posted on 31 Aug 2009

Much like the early horror film The Boogens, the devious unseen killer is quite a letdown when it finally becomes seen. Although Animal House's Stephen Furst obviously had fun in the role as a product of incest, his performance is more comedy than horror.The plot, an extremely tired one, has three sexy women(Bach, Lamm and Lois Young) unable to find a hotel for the evening, so they willingly accept to stay with a seemingly kind museum curator, exceptionally played by the deceased Sydney Lassick. If you have ever seen any horror film, you know that lovable IL' Sydney is a deranged psycho, so one knows what will happen to the lovely ladies.The three women are all very attractive, especially Barbara Bach, but Lois Young(a Helen Hunt clone) is the only one to go nude, as Sydney watches her take a bath.

TIRED PLOT, BUT OUTSTANDING PERFORMANCES. WORTH SEEING!

posted on 31 Aug 2009

WARNING POSSIBLE SPOILERS CONTAINED HEREIN. The plot is not a new one: Three sexy chicks stay at a place where a brother and sister (who had incestuous relations) keep their deranged man-child in the basement. He, of course, kills off the girls one by one. Most of the movie is sleep inducing, but worth the watch. I was impressed with Sydney Lassick's performance as the seemingly kind, yet twisted brother/father to the murderous offspring. He definitely gave the part his all. Love the clothespins on his face routine. Beautiful. Then there is the mentally retarded guy in the cellar, amazingly played by Stephen Furst. He is both disturbing and hilarious with his mentally retarded mannerisms and groaning. The guy sticks a teddy bear in his underwear and blithers like a loon. Good lord, what a pure genius performance! Every time he's on the screen is a pleasure to watch. Get this movie just to see these two guys ham it up. If the plot begins to put you to sleep, fast forward until either one of these guys are on the screen. You won't be disappointed.

Kinda creepy, kinda eerie -- I liked it. So sue me.

posted on 31 Aug 2009

(*** out of *****)Barbara Bach plays a TV reporter who goes to the quaint, seaside town of Soveg, California with two of her female newscaster friends to cover an annual Danish festival.
Unfortunately, the three attractive ladies choose to spend the night in an old house outside of town inhabited by a seemingly kind man (character actor Sydney Lassick -- the constantly agitated `Charlie Cheswick' from "One Flew Over the Cuckoo's Nest"), his nervous sister (Lelia Goldoni), and the product of their incestuous affair -- a disfigured, murderous man-child they keep locked in the cellar. This is actually an interesting and creepy little thriller with decent writing, beautiful on-location scenery, and a few scary sequences that'll get under your skin. It's kind of similar in tone and plot to Denny Harris's "The Silent Scream" from the same year. Karen Lamm and Lois Young play Bach's unlucky friends and Stephen Furst plays the adorable, slobbering lady-killer, Junior.HIGHLIGHT: That irrepressible little stinker Junior, God love ‘im, gets a hold of poor, pretty Karen's (or is it Vicki's?) -- played by Lamm (or Young -- hell, one or the other) --
necklace and pulls her right through the floor vent.

Good atmosphere saves a slow paced movie

posted on 31 Aug 2009

The Unseen is done in a style more like old Hollywood mysteries than a horror show. The film is somewhat slow but lots of bizarre imagery keeps it the film alive and watchable. The basic idea of young girls stalked by something in the basement is old, but good acting and production make the movie worth watching. The movie is notable for its emotional impact and certainly not for any explicit action or special effects. I rated it an 8 out of 10.

Sleazy, partially successful shocker

posted on 31 Aug 2009

Contains SpoilersThe Unseen didn't do very well in its initial release and remains rather obscure today, but it deserves to be seen by cult fans at least once. It's a weird, clammy little exploitation horror piece about a basement-dwelling SOMETHING stalking and killing female reporters. Perverse and offbeat, but the climax, in which Barbara Bach comes face to face with "Junior" (Stephen Furst), is disappointing. It's a protracted scene of her flinching and screaming as he grunts and paws at her, and it seems to go on forever. If I need to see incoherently babbling, overweight people who sleep in garbage, all I have to do is observe certain relatives on vacation! Things pick up, though, and the movie ends with a bang despite the lost momentum. The luscious Bach delivers a good performance, considering the material she's given. Also memorable are Sydney Lassick as the giggly, leering owner of the house and Lelia Goldoni as his depressed sister. The Unseen may not be great, but it's slightly above average and worth a look.

Sleaze-appeal

posted on 31 Aug 2009

This scared the hell out of me when i was a teenager. Now I find it more amusing than scary, but with some pretty unsettling moments and with a kind of sleazy quality to it that I like. And, come to think of it, the plot is rather disgusting actually...but handled with some kind of taste. If there is a problem with this movie, it is that there are HUGE gaps where nothing exciting or interesting happens. Also, the ending goes on forever, making a potentially tense climax seem silly after a while with Barbara Bach screaming and screaming. The "monster", after it is exposed, isn't very scary either unfortunately. The somewhat drab look of the movie also works against it, making it appear as a TV-movie more than something made for theaters. But it is an example of films that are rarely made nowadays so I urge horror fans to watch it and feel a bit nostalgic...

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